fact-similies

daily dos

mon 5/26/2008

 

Tego Calderón says Nando Boom shouldn't sue Wisin y Yandel because Boom "copied" the song Night Nurse by Jamaican reggae artist Gregory Isaac on Enfermo de Amor. Nando Boom's manager declined Don Omar's offer of one hundred thousand dollars, arguing Wisin y Yandel have made much more in album sales. He also had words for Tego: [He] shouldn't get into business that isn't his own, because we'll also sue him for defamation."

 
 

jam up the pump

daily dos

fri 5/23/2008

 

Don Omar has offered an apology – and one hundred thousand dollars – to Nando Boom for using lyrics from Boom's "Enfermo de Amor" on the Wisin y Yandel track "Te Sigo Buscando" without permission.

 
 

beat it up

daily dos

wed 5/21/2008

 

Reggaetón forefather Nando Boom is reportedly suing Wisin y Yandel for using part of his song, "Enfermo de Amor," on "Te Sigo Buscando." (via Lossip)

 
 

cool breeze

daily dos

fri 5/2/2008

 

Panamanian reggae artist Nando Boom announced he will release a new album to celebrate his 25th year as a performer. The album will feature collaborations with Hector "El Father," Tito "El Bambino" and Flex.

 
 

The Fathers of Reggaetón

previously

fri 5/11/2007

 
A shot of El General's "Panamá" haircut.

Listen while you read!

Who invented reggaetón and when?

If you're thinking it was Daddy Yankee or Don Omar and "five years ago," think again.

In the 1920s, skilled Jamaican immigrants arrived in Panamá looking for work on the Panama Canal. These former African slaves brought with them their food, their religion and their beats – as well as ties to their island homeland and its pop music. A generation later, in the late 1970s, Panamanian rude boys were still keeping those roots alive by trying covers of popular English-language dancehall tracks in Spanish. A decade later, these covers morphed and spread to other countries in Central and South America thanks to innovative Panamanian artists like Pocho Pan, Chicho Man and Nando Boom.

Pocho Pan would flip Chaka Demus & The Pliers' now-classic Murder She Wrote on Pantalón Caliente while Chicho Man kicked melodic raps over Muevela, a banger made out of machine-gun snares and subterranean bass. On the vocal side, Nando Boom showed off his tongue-twisting, Barrington Levy-influenced flow on the romantic Enfermo de Amor, stepping up his game even further when he began writing his own lyrics. Soon enough, dance floors from Boquete to the Bronx were packed with dancers grooving to "Mi Amor, Solo Pienso en Ti ," and "Mi Resistencia."

But it was the toothy Edgardo A. Franco, better known as El General, who took over Spanish-language radio throughout Latin America – and the U.S. – with his hip-shaking reggae en Español. Franco, the son of Jamaican and Trinidadian immigrants, was a master of explicit wordplay – his rhymes had mothers squirming and daughters grinding. A commercial success, the charismatic El General, often decked out in gaudy military gear, was named best Latin rap artist by Billboard magazine five years in a row, scoring major hits with the frantic Rica Y Apretadita, the relatively mellow yet still dirty Tu Pum Pum, and the flirty Muevelo. Eventually, the lanky MC won over a multitude of listeners in Puerto Rico, a nation with its own bustling reggae movement, and home of emerging rap superstar Armando Lozada Cruz, better known as Vico C.

With songs by Nando Boom, El General, Vico C and Jamaican dancehall mainstays like Shabba Ranks blasting from cars and clubs, it was only a matter of time before Puerto Rican DJs would blend each style and create one of their own. Today, Puerto Rican reggaetoneros have a firm grip on the mainstream, but artists like Tego Calderón are quick to give credit where it is due: "[W]e started doing reggaetón … because El General and Nando Boom were hitting hard."