Gwen Stefani, Eminem, Belanova and Ciara

(image by Jill Greenberg via GwenStefani.com)

Former ska-punk princess Gwen Stefani is back with her second solo record, The Sweet Escape. Like the 2004 Love.Angel.Music.Baby, her new album is heavy on next-gen R&B sounds. The yodeling lead track on the Neptunes-produced single Wind It Up is probably one of the best things on the radio these days. Unfortunately, the same level of boldness is absent from much of The Sweet Escape. Nonetheless, the one-time front woman for No Doubt manages to pull together the talents of producers Nellee Hopper, Swizz Beatz, Akon and Tony Kanal to craft a sturdy vehicle she rides with fist-pumping ease.

Produced as a mix tape for street distribution, Eminem’s The Re-Up showcases some of the artists signed to his Shady Records label. 50 Cent, Ca$his, Stat Quo, Lloyd Banks, Obie Trice and Bobby Creakwater rap to a soundtrack produced by Dr. Dre, The Alchemist, Mike Elizondo and Marshall Mathers himself. Although the compilation may not count as Eminem’s comeback, the album flows like a proper release, demonstrating his confidence as both artist and producer.

Dulce Beat Live is just that, a live version of Mexican pop sensation Belanova's successful second album, Dulce Beat. The new release also includes four songs from their debut and covers of The Cure and Donna Summer. A special edition release features a DVD of the Guadalajara trio in concert with guests Joselo from Café Tacvba and Argentinean pop singer Coti Sorokin. Live, Belanova's dance pop may not be as polished as their recordings, but for fans of their mega hit single Me Pregunto, this third album is a perfect look at the band in peak form.

On her sophomore album, Ciara: The Evolution, the 21 year-old Ciara proves the 80’s were about more than just New Wave. The album is brimming with old skool jams and booty shaking tracks inspired by Prince, Michael Jackson and Madonna. While Fergie and Gwen Stefani steal the limelight for their use of electro and Miami bass, it's Ciara who may be using the now classic genres for best effect. Consider the slow and sensual burn of the album’s first single, Promise, which plays big without the hype. Take that, Janet.